Lines of Desire: Reading Gombrowicz's Fiction with Lacan (Avant-Garde & Modernism Studies)
by Hanjo Berressem
These vase sculpures were created with the intention of becoming more in tune with the nature of coiling clay and the adaptability of this clay forming process. I titled them "Egomorphic" because they mimic the nature of humans. We are pliable and malleable -- transformative beings much like the clay when it is still plastic. We yield to pressures, both internal and external. Additionally, the maker/creater leaves indelible marks on our psyche and our reasoning. Although these marks are permanent -- the form we take is able to withstand distortion. This is the real triumph of the work exhibited here -- it is thin-walled, stretched and strong. Later pieces were paddled and stretched to create ridges and hard edges. Earlier pieces were organically formed with rounded and undulating movement of form.
These coiled vases were created at Linden Pottery and fired at the Corcoran College of Art + Design during the Summer of 2013. The red sculpture clay (Standard Clay 266 and 547) was fired to Cone 6 in an electric kiln.
This vase was glazed with a white terra sigilatta and burnished -- then covered with a clear glaze for final firing. This vase measures 7 inches X 6 inches X 13 inches.
This vase was glazed in chartreuse and measures 7 inches X 6 inches by 14 inches.
This organic sculpture is a usable vase created to explore the possibilities of coiling, manipulation and adaptation. Made using Standard Clay's 547 and 266 mixed at a 50/50 ratio; this increases the malleability, as well as its strength. The title of the glaze is Green Tea and does a phenomenal job of reflecting differing shades of green. This vase measures 7inches X 6 inches X 15 inches.